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Soprano Anna Netrebko, whom the New York Times described as excellent in her debut role as Tosca in 2018, returns as the explosive virgin Puccinis at the request of the audience. Tenors Naymeddin Mavlyanov and Brian Jagde make turns as the idealistic artist Cavaradossi, while baritone George Gagnidze and Michael Volle complete the fatal love triangle of the opera as a dark scorpion. Bertrand de Billy leads the spectacular production of Sir David McVirar.

The beautiful bass baritone of Sir Breen Terfel returns for the first time since 2012, in which there is a cursed captain, condemned to eternal sailing in the open ocean. Valery Gergiev leads the new production of Franois Girard, whose visionary version of Parsifal 2013 has set the latest met production standard for Wagner. Thanks to John McFarlane’s impressive sets, Girard’s new production transforms mead into a rich, layered table that resembles a huge oil painting. The talented German soprano Anya Campo is a devoted Senta, whose sacrificial love is sought by the Dutch, with double bass Franz Josef Selig as her father Daland and tenor Sergei Skorokhodov as the abandoned former beloved Eric.

The commercial history of intrigues and mismatches in ancient Rome first met mezzanine stars Joyce DiDonato as controlled, starving Agrippin and Harry Biket. The production of Sir David McVikars brilliantly reflects the plot of this black comedy about abuse of power to this day, where it must resound loudly. The cast star consists of mezzo-soprano Kate Lindsey as the son of Agrippinas and future emperor Nero, soprano Brenda Rae as seductive Poppy, countertenor Istin Davis as ambitious officer Otto and bassist Matthew Rose as tired Emperor Claude.

Metropolitan Opera 2019